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Popular music and public diplomacy

transnational and transdisciplinary perspectives
Suche nach Verfasser*in
Verfasser*innenangabe: Mario Dunkel / Sina A. Nitzsche (eds.)
Jahr: 2018
Verlag: Bielefeld, transcript Verl.
Reihe: Popular Music
Mediengruppe: Buch
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Inhalt

In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others.
This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Mario Dunkel / Sina A. Nitzsche (eds.)
Jahr: 2018
Verlag: Bielefeld, transcript Verl.
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Systematik: Suche nach dieser Systematik KM.MC6, KM.MN54, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-3-8376-4358-9
2. ISBN: 3-8376-4358-1
Beschreibung: 328 S. : Ill.
Reihe: Popular Music
Schlagwörter: Diplomatische Beziehungen, Populärmusik
Beteiligte Personen: Suche nach dieser Beteiligten Person Dunkel, Mario; Nitzsche, Sina A.
Fußnote: I. Competition and collaboration Music in transnational transfers and international competitions. Germany, Britain and the US in the Nineteenth and Twentieth centuries The paradoxes of cultural and music diplomacy in a federal country. A case study from Flanders, Belgium Dervish on the Eurovision stage. Popular music and the heterogeneity of power interests in contemporary Turkey II: Infiltration and appropriation Between propaganda and public diplomacy. Jazz in the cold war "Liberated from serfdom". Willis Conover and the Tallinn Jazz Festival of 1967 A musical inquisition? Soviet "deputies" of musical entertainment in Hungary during the early 1950s III. Education and promotion Dancing in chains. Why music can't keep the world free Becoming a blue-collar musical diplomat. Billy Joel and bridging the US-Soviet divide in 1987 Music trade in the slipstream of cultural diplomacy. Western rock and pop in a fenced-in record market National flamencoism. Flamenco as an instrument of Spanish public diplomacy in Franco's regime (1939-1975) IV: Representation and participation The ethics and politics of empathy in US Hip-Hop diplomacy. The case of the next level program Popular msicking and the politics of spectatorship at the United Nations From Sons of Gastarbeita to Songs of Gastarbeiter. Migrant and post-migrant integration through music and German musical diplomacy from the 1990s to the present Public diplomacy and decision-making in the Eurovision Song Contest
Mediengruppe: Buch