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Concerti A quatro 5.6.Voci, & Instromenti Opera Settima

Venezia, 1634
Verfasser*in: Suche nach Verfasser*in Marini, Biagio; Ensemble Costanzo Porta; Cremona Antiqua
Verfasser*innenangabe: Biagio Marini
Jahr: 2018
Verlag: Mailand, Tactus
Mediengruppe: Compact Disc
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Exemplare

AktionZweigstelleStandorteStatusFristVorbestellungen
Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: CD.07 Mari / College 5a - Szene Status: Verfügbar Frist: Vorbestellungen: 0

Inhalt

1 Ecco o Cinzia (Konzert für 6 Stimmen und 6 Instrumente)
2 Ahi Filli (Konzert für 5 Stimmen und Basso continuo)
3 Non lagrimar (Konzert für 2 Violinen, 2 Stimmen und Basso continuo)
4 O dolcissime (Konzert für 6 Stimmen und 6 Instrumente)
5 Deh come ancor (Konzert für 6 Stimmen und 6 Instrumente)
6 Ridon le piagge (Konzert für 4 Stimmen und Basso continuo)
1 Crudel tu voi partire (Konzert für 6 Stimmen und 6 Instrumente)
2 Donna mi chiami (Konzert für 4 Stimmen und Basso continuo)
3 Tu pur partisi (Konzert für 5 Stimmen und Basso continuo)
4 Tirinto mio (Konzert für 6 Stimmen und 6 Instrumente)
5 Credetel voi (Konert für 4 Stimmen und Basso continuo)
6 A Dio begli occhi (Konzert für 5 Stimmen und Basso continuo)
7 La bella Erminia (Konzert für 6 Stimmen und 6 Instrumente)
 
Marini was born in Brescia. He may have studied with his uncle Giacinto Bondioli. His works were printed and influential throughout the European musical world. He traveled throughout his life, and occupied posts in Brussels, over thirty years in Neuburg an der Donau and Düsseldorf, and Venice in 1615,[clarification needed] joining Monteverdi's group at St. Mark's Cathedral, Padua, Parma, Ferrara, Milan, Bergamo, and Brescia in Italy. There is evidence that he married three times and fathered five children. He died in Venice.
Although he wrote both instrumental and vocal music, he is better known for his innovative instrumental compositions. He contributed to the early development of the string idiom by expanding the performance range of the solo and accompanied violin and incorporating slur, double and even triple stopping, and the first explicitly notated tremolo (in the sonata La Foscarina, op. 1 No. 14; 1617) effects into his music. He was also among the first composers, after Marco Uccellini, to call for scordatura tunings. He made contributions to most of the contemporary genres and investigated unusual compositional procedures, like constructing an entire sonata without a cadence (as in his Sonata senza cadenza). At least some, and perhaps a great deal, of his output is lost, but that which survives exhibits his inventiveness, lyrical skill, harmonic boldness, and growing tendency toward common practice tonality. In addition to his violin works, he wrote music for the cornett, dulcian, and sackbut. Wikipedia

Details

Verfasser*in: Suche nach Verfasser*in Marini, Biagio; Ensemble Costanzo Porta; Cremona Antiqua
Verfasser*innenangabe: Biagio Marini
Jahr: 2018
Verlag: Mailand, Tactus
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Systematik: Suche nach dieser Systematik CD.07
Suche nach diesem Interessenskreis
Beschreibung: 2 CDs : 38:26 + 42:59
Beteiligte Personen: Suche nach dieser Beteiligten Person Greco, Antonio
Mediengruppe: Compact Disc