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The Cambridge Companion to Recorded Music

Suche nach Verfasser*in
Verfasser*innenangabe: ed. by Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, John Rink
Jahr: 2009
Verlag: Cambridge [u.a.], Cambridge Univ. Pr.
Mediengruppe: Buch
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Inhalt

From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: ed. by Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, John Rink
Jahr: 2009
Verlag: Cambridge [u.a.], Cambridge Univ. Pr.
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Systematik: Suche nach dieser Systematik KM.MG5, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-0-521-68461-3
2. ISBN: 0-521-68461-7
Beschreibung: 358 Seiten : Illustrationen
Beteiligte Personen: Suche nach dieser Beteiligten Person Cook, Nicholas
Sprache: Englisch
Fußnote: Performing for (and against) the microphone.Recording practices and the role of the producer.Getting sounds: The art of sound engineering.The politics of the recording studio: A case study from South Africa.From wind-up to iPod: Techno-cultures of listening.Selling sounds: Recordings and the record business.Tje development of recording technologies.The recorded document: Interpretation and discography.Methods for analysing recordings.Recordings and histories of performance style.Going critical: Writing about recordings.Recording: From reproduction to representation to remediation
Mediengruppe: Buch