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The Oxford handbook of sound studies

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Verfasser*innenangabe: Edited by Trevor Pinch and Karin Bijsterveld
Jahr: 2013
Verlag: Oxford, Oxford Univ. Press
Mediengruppe: Buch
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Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.MC1 Oxfo / College 5b - Musik Status: Verfügbar Frist: Vorbestellungen: 0

Inhalt

SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES1: The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith2: Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun3: "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs4: Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin BijsterveldSECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD5: Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx6: Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich7: A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia KursellSECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB8: From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson9: Conversions: Sound and Sight, Military and Civilian - Cyrus Mody10: The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra SupperSECTION IV: SPEAKING FOR THE BODY: THE CLINIC11: Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz12: Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice13: Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara MillsSECTION V: EDITING SOUND: THE DESIGN STUDIO14: Sound and Player Immersion in Digital Games - Mark Grimshaw15: The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington16: The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy TaylorSECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND17: Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers18: From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen and Tia DiNora19: The Amateur in the Age of Mechanical Music - Mark Katz20: Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine AthanasiadesSECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE21: Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche22: iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull23: The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Edited by Trevor Pinch and Karin Bijsterveld
Jahr: 2013
Verlag: Oxford, Oxford Univ. Press
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Systematik: Suche nach dieser Systematik KM.MC1, KM.MG4, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-0-19-999581-3
2. ISBN: 0-19-999581-8
Beschreibung: 593 S.
Beteiligte Personen: Suche nach dieser Beteiligten Person Pinch, Trevor; Bijsterveld, Karin
Sprache: Englisch
Mediengruppe: Buch