Cover von The Cambridge Companion to Film Music wird in neuem Tab geöffnet

The Cambridge Companion to Film Music

Suche nach Verfasser*in
Verfasser*innenangabe: Edited by Marvyn Cooke and Fiona Ford
Jahr: 2016
Verlag: Cambridge [u.a.], Cambridge Univ. Pr.
Mediengruppe: Buch
nicht verfügbar

Exemplare

AktionZweigstelleStandorteStatusFristVorbestellungen
Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.MG4 Camb / College 5b - Musik Status: Entliehen Frist: 18.11.2024 Vorbestellungen: 0

Inhalt

This wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Edited by Marvyn Cooke and Fiona Ford
Jahr: 2016
Verlag: Cambridge [u.a.], Cambridge Univ. Pr.
opens in new tab
Systematik: Suche nach dieser Systematik KM.MG4, KT.F
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-1-10-747649-3
2. ISBN: 1-10-747649-6
Beschreibung: 411 S. : Ill.
Schlagwörter: Aufsatzsammlung, Filmmusik, Beiträge, Sammelwerk
Beteiligte Personen: Suche nach dieser Beteiligten Person Cooke, Mervyn; Ford, Fiona
Sprache: Englisch
Fußnote: Making film music Evolving practices for film music and sound, 1925-1935 Sound history and technology The composer and the studio: Korngold and Warner Bros. Economic imperatives and artistic achievements in the British pop-music film The composer's role in film and television Approaching film music Film-music theory Studying film scores: Working in archives and with living composers Returning to Casablanca Mash-Ups and mating penguins in Happy Feet Materializing film music Genre and idiom Film noir and music Another other history of jazz in the movies Horror and science fiction The western The music of screen musicals "Britannia - The Musical": Scores, songs and soundtracks in British animation Music in world cinemas Leone, Morricone and the Italian way to revisionist western Music, noise and silence in the late cinema of Jean-Luc Godard Hans Werner Henze and "The lost honour of Katharina Blum" Toru Takemitsu's collaborations with Masahiro Shinoda: The music for Pale Flower, Samurai Spy and Ballad of Orin Welcome to Kollywood: Tamil film music and popular culture in South India
Mediengruppe: Buch