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Analytical and Cross-Cultural Studies in World Music

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Verfasser*innenangabe: ed. by Michael Tenzer and John Roeder
Jahr: 2011
Verlag: Oxford ; New York, Oxford Univ. Press
Mediengruppe: Buch
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Inhalt

Analytical and Cross-Cultural Studies in World Music presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. All the authors are experts, deeply engaged in the traditions they describe. They recount the contexts in which the music is created and performed, and then hone in on elucidating how the music works as sound in process. Accompanying the explanatory prose is a wealth of diagrams, transcriptions, recordings, and (online) multimedia presentations, all intended to convey the richness, beauty, and ingenuity of their subjects. The music ranges across geography and cultures-court music of Japan and medieval Europe, pagode song from Brazil, solos by the jazz pianist Thelonius Monk and by the sitar master Budhaditya Mukherjee, form-and-timbre improvisations of a Boston sound collective, South Korean folk drumming, and the ceremonial music of indigenous cultures in North American and Australia-much of which has never been so thoroughly analyzed before. Thus the essays diversify and expand the scope of this book's companion volume, Analytical Studies in World Music, to all inhabited continents and many of its greatest musical traditions. An introduction and an afterword point out common analytical approaches, and present a new way to classify music according to its temporal organization. Two special chapters consider the juxtaposition of music from different cultures: of world music traditions and popular music genres, and of Balinese music and European Art music, raising provocative questions about the musical encounters and fusions of today's interconnected world. For everyone listening in wonderment to the richness of world music, whether listener, creator, or performer, this book will be an invaluable resource and a fount of inspiration.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: ed. by Michael Tenzer and John Roeder
Jahr: 2011
Verlag: Oxford ; New York, Oxford Univ. Press
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Systematik: Suche nach dieser Systematik KM.MN52, KM.MN56, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-0-19-538457-4
2. ISBN: 0-19-538457-1
Beschreibung: 461 S. : Ill.
Beteiligte Personen: Suche nach dieser Beteiligten Person Tenzer, Michael; Roeder, John
Sprache: Englisch
Fußnote: Analytical Encounters with music in diverse cultures Surface and deep structure in the Tagaku ensemble of Japanese court music (Gagaku) Form, counterpoint and meaning in a 14th-century French courtly song Nuances of continual variation in the Brazilian Pagode song "Sorriso Aberto" Thelonious Monk's harmony, rhythmy and pianism Dynamics of melodic discourse in Indian music: Budhaditya Mukherjee's "Àláp" in "Rág Púriyá-Kalyán" Timbre-and -form: The BSC and the Boston improvising community Rhythm and folk drumming (P'ungmul) as the musical embodiment of communal conscousness in South Korean village society Strophic form and asymmetrical repetition in four American Indian songs Musical form and style in Murriny Patha "Djanba" songs at Wadeye (Northern Territory, Australia) Cross-Cultural Analytical comparisons Integrating music: Personal and global transformations Combining sounds to reinvent the world: World music, sociology and musical analysis Cultural topology of musical time: Afterword tot he present book and to "Analytical studies in world music"
Mediengruppe: Buch