Museums, Sexuality, and Gender Activism examines the role of exhibitionary institutions in representing LGBTQ+ people, cisgender women, and nonbinary individuals. Considering recent gender and sexuality-related developments through a critical lens, the volume contributes significantly to the growing body of activist writing on this topic.
Building on Gender, Sexuality and Museums and featuring work from established voices, as well as newcomers, this volume offers risky and exciting articles from around the world. Chapters cover diverse topics, including transgender representation, erasure, and activism; two-spirit people, indigeneity, and museums; third genders; gender and sexuality in heritage sites and historic homes; temporary exhibitions on gender and sexuality; museum representations of HIV/AIDS; interventions to increase queer visibility and inclusion in galleries; LGBTQ+ staff alliances; and museums, gender ambiguity, and the disruption of binaries. Several chapters focus on areas outside the US and Europe, while others explore central topics through the perspectives of racial and ethnic minorities.
Containing contributions that engage in sustained critique of current policies, theory, and practice, Museums, Sexuality, and Gender Activism is essential reading for those studying museums, women and gender, sexuality, culture, history, heritage, art, media, and anthropology. The book will also spark interest among museum practitioners, public archivists, and scholars researching related topics.
Joshua G. Adair is an associate professor of English at Murray State University, where he also serves as coordinator of Gender & Diversity Studies. Adair's work, whether in literary, historical, or museum studies, examines the ways we narrate - and silence - gender and sexuality; it has appeared in over fifty scholarly and creative nonfiction journals. Amy K. Levin served as Director of Women's Studies, Coordinator of Museum Studies, and Chair of English at Northern Illinois University for twenty-one years before beginning a new career as an independent scholar in 2016. Most recently, she was a visiting professor in Public History at the University of Amsterdam in fall 2017.
(Verlagstext)
Inhaltsverzeichnis:
I. Frameworks;
1. Introduction: Museums, Sexuality, and Gender Activism, Amy K. Levin;
2. Chicana Feminism, Anzalduian Borderland Practices, and Critiques of Museology, Amanda K. Figueroa;
3. Warning! Heteronormativity: A Question of Ethics, Nikki Sullivan and Craig Middleton;
II. Dismantling the Master's House?; A. Major Institutions;
4. Sex and Sensitivities: Exhibiting and Interpreting Shunga at the British Museum Stuart Frost;
5. Activists on the Inside: the Victoria and Albert Museum LGBTQ Working Group, Zorian Clayton and Dawn Hoskin;
6. Remolding the Museum: In Residence at the V&A, Matt Smith; B. Alternate Spaces;
7. Pop-up or Permanent? The Case of the Mardi Gras Museum, Tuan Nguyen;
8. Emptied, Displaced, Assimilated: Spatial Politics of Gender in Ankara Ulucanlar Prison Museum, OEzge Kelekci and Meral Akbas;
9. Death of a Museum Foretold? On Sexual Display in the Time of AIDS in India, Rovel Sequeira;
10. Lost Objects and Missing Histories: HIV/AIDS in the Netherlands, Manon S. Parry and Hugo Schalkwijk;
III. Bodies in the Museum?; A. Indigenous Bodies;
11. Kent Monkman's Shame and Prejudice: Artist Curation as Queer and Decolonial Practice, Ann Cvetkovich;
12. All that Moves Us: Bodies in Land, Camille Georgeson-Usher; B. Bodies of Ambiguity;
13. The Future of Museological Display: Chitra Ganesh's Speculative Encounters, Natasha Bissonauth;
14. Nonbinary Difference: Dionysus, Arianna, and the Fictive Arts of Museum Photography, Asa Johannesson and Clair Le Couteur;
IV. Acts of Resistance; A. Unruly Women;
15. The Absent History of Female Volunteers at the Art Gallery of Toronto, Irina D. Mihalache;
16. From Handmade Underwear to the Labor Movement: Women's History at Digital Museum, Jana Sverdljuk;
17. Recording Change: Collecting the Irish Abortion Rights Referendum, 2018, Brenda Malone; B. Problematic Narratives;
18. Never Going Underground: Community Coproduction and the Story of LGBTQ+ Rights, Catherine O'Donnell; 19. Curating Gertrude Stein: Identity Politics in the Exhibition Catalogue, Hayden Hunt;
20. "[A] Battlefield All their Own": Selling Women's Fictions as Fact at Plantation Museums, Joshua G. Adair;
V. Thinking Outside the Binary Box;
21. On Gender Fluidity and Photographic Portraiture, Michael Petry;
22. Never A Small Project: Welcoming Transgender Communities into the Museum, Mirjam Sneeuwloper, Amy Levin, Colline Horstink, and Yvo Manuel Vas Dias;
23. "A Museum Can Never Be Queer Enough": The Van Abbemuseum as a Testing Ground for Institutional Queering, Anne Rensma, Daniel Neugebauer, and Olle Lundin; 24. Conclusion, Joshua G. Adair