Aktion	Zweigstelle	Standorte	Status	Frist	Vorbestellungen
Vorbestellen	Zweigstelle: 07., Urban-Loritz-Pl. 2a	Standorte: CD.10 Shaw / College 5a - Szene / Sammlung Duffek	Status: Verfügbar	Frist:	Vorbestellungen: 0

Rosewood (1977)

1 Rosewood

2 Everytime I see you

3 The legends of cheops

4 Rahsaan´s run

5 Sunshowers

6 Theme for Maxine

Stepping Stones (1978)

1 Stepping stone

2 In a capricornian way

3 Seventh avenue

4 All things being equal are not

5 Escape velocity

6 Theme for Macine

Stepping Stones Bonus Tracks

1 It all comes back to you

2 Watership down

3 Solar

4 On green dolphin street

5 Days of wine and roses

Woody III (1979)

1 Woody I:On the new ark

2 Woody II:Other paths

3 Woody III:New offerings

4 To kill a brick

5 Organ grinder

For Sure! (1979)

1 We´ll be together again

2 Opec

3 Time is right

4 Ginseng people

5 Why

6 Joshua C

7 Isabel the liberator

8 Teotihuacan

United (1981)

1 United

2 The green street caper

3 What is this thing called love

4 Pressing the issue

5 Katrina ballerina

6 Blues for Woody

Encountering the name Woody Shaw (1944-1989) in print or conversation, it¿s not uncommon for a phrase much like ¿ the last original trumpet voice¿ to follow. For Shaw was just such a player: a daring horn stylist with an utterly personal and technically advanced approach that has yet to be matched since his untimely death.

Even as a young up-and-comer, Shaw was eager to investigate the cutting edge of modern jazz, working for a time with the innovative multi-instrumentalist Eric Dolphy. After a memorable stint with the hard bop maestro, Horace Silver, Shaw leaped head first towards the post bop firmament, collaborating with such visionary player / composers as Chick Corea, Herbie Hancock, McCoy Tyner, Andrew Hill, and Larry Young, whose 1965 masterwork, Unity, featured Shaw¿s soon-to-be-standard, ¿The Moontrane.¿

Further work with such A-list leaders as Art Blakey, Max Roach and Dexter Gordon (Shaw is heard to great advantage on the legendary tenorist¿s joyous Homecoming) followed, but it was only a matter of time before this blatantly talented horn man set out on his own. The late 1970s and 80¿s found Shaw fronting ensembles that brought attention to such fine players as Steve Turre and Mulgrew Miller, as well as shining light on the leader¿s own adventurous, strikingly virtuosic improvising.

On such landmark Columbia albums as Woody lll and For Sure! -- projects that represented a career peak for Shaw in terms of both personal creativity and commercial exposure -- his impressive compositions ( the outstanding ¿Organ Grinder¿ among them) and arranging skills for expanded ensembles are brought to the fore. Although he didn¿t live to conquer the personal problems that set back his career, present day trumpet icons from Dave Douglas to Wynton Marsalis have acknowledged Shaw¿s lasting influence. Let Miles Davis have the last word about Shaw: ¿Now there's a great trumpet player. He can play different from all of them."