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The performance of Electroacoustic Music

the Studio di Fonologia years
Suche nach Verfasser*in
Verfasser*innenangabe: Germán Toro-Pérez & Lucas Bennett (Eds)
Jahr: 2018
Verlag: Bern, Peter Lang
Mediengruppe: Buch
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Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.MG3 Perf / College 5b - Musik Status: Verfügbar Frist: Vorbestellungen: 0

Inhalt

This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI¿s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer¿s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Germán Toro-Pérez & Lucas Bennett (Eds)
Jahr: 2018
Verlag: Bern, Peter Lang
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Systematik: Suche nach dieser Systematik KM.MG3, KM.MM47, KM.MN3, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-3-03-433118-0
2. ISBN: 3-03-433118-5
Beschreibung: 154 S. : Ill.
Schlagwörter: Aufführungspraxis, Elektroakustische Musik
Beteiligte Personen: Suche nach dieser Beteiligten Person Toro-Pérez, Germán; Bennett, Lucas; Sackmann, Dominik
Sprache: Englisch
Fußnote: Historically informed performance in electroacoustic music? The Studio di Fonologia years as a case study Someproblems of the present-day realisation of historical electronic pieces The beginnings of the Studio di Fonologia Musicale and Bruno Maderna's Notturno "There's always only the first page". On the ambivalent relation between sound and notation in some early electroacoustic music, and the problems of modern editions A question of "versions"!? Three case studies about "performing" tape compositions of the 1950s (taken from the European repertoire) The revision of Henri Pousseur's Rimes at Tempo Reale Auctorial tradition and contemporary practice: Performing Musica su due dimensioni by Bruno Maderna Sound direction of 1950s and 1960s tape pieces from the Studio di Fonologia
Mediengruppe: Buch