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Contemporary Musical Film

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Verfasser*innenangabe: Edited by K.J. Donnelly and Beth Carroll
Jahr: 2019
Verlag: Edinburgh, Edinburgh University Press
Mediengruppe: Buch
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Inhalt

Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04).
Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Edited by K.J. Donnelly and Beth Carroll
Jahr: 2019
Verlag: Edinburgh, Edinburgh University Press
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Systematik: Suche nach dieser Systematik KM.MN41, KT.F, FS.E, KM.MG4
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-1-474-43168-2
2. ISBN: 1-474-43168-2
Beschreibung: 192 Seiten : Illustrationen
Beteiligte Personen: Suche nach dieser Beteiligten Person Donnelly, K. J.; Carroll, Beth
Sprache: Englisch
Fußnote: Part one: Original musicals Aesthetic absurdities in Takashi Miike's The Happiness of the Karakuris Film and the twilight of Rock: Post-millennial rock musicals Team America: World Police: duplicitous voices of the socio-political spy musical The Anti-musical or generic affinity: Is there anything left to say? Lyrical articulation of the Beatles' song Across the Universe revising and repeating Disney's musical tropes in Frozen Part two: Stage to screen Star qualitiy? Song, celebity and the jukebox musical in Mamma mia! Beyond the barricade: Adapting Les Misérables for the cinema Part three: Musicals by another name O Brother, Where Art Thou?: The Coen Brothers and the musical genre contamination Racing in the beat: Music in the Fast & Furious Franchise Todd Decker Kill Bill: Quenting Tarantino as a musical filmmaker
Mediengruppe: Buch