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Music in the early twentieth century

Verfasser*in: Suche nach Verfasser*in Taruskin, Richard
Verfasser*innenangabe: Richard Taruskin
Jahr: 2010
Verlag: Oxford, Oxford University Press
Mediengruppe: Buch
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Inhalt

Music in the Early Twentieth Century, the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich

Details

Verfasser*in: Suche nach Verfasser*in Taruskin, Richard
Verfasser*innenangabe: Richard Taruskin
Jahr: 2010
Verlag: Oxford, Oxford University Press
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Systematik: Suche nach dieser Systematik KM.MM47, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache], Sammlung Duffek
ISBN: 0-19-538484-9
Beschreibung: 859 S. : Ill.
Schlagwörter: 20. Jahrhundert, Geschichte, Musik, Landesgeschichte, Ortsgeschichte, Regionalgeschichte, Zeitgeschichte
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Fußnote: Reaching (for) limits. Modernism: Mahler, Strauss, Schoenberg Getting rid of glue. Satie, Debussy, Fauré, Ravel, Lili Boulanger Aristocratic Maximalism. Ballet from 16th century France to 19th century Russia. Stravinsky Extingguishing the "Petty 'I'" (Transcendentalism, I). Sricabin, Messiaen Containing multitudes (Transcendentalism, II). Ives, Ruggles, Crawford, Microtonality Inner Occurrenced (Transcendentalism, III). Schoenberg, Webern and Expressionism, Atonality Socially validated maximalism. Bartók, Janácek Pathos is banned. Stravinsky and neoclassicism Lost - or rejected - illusions. Prokofieff, Satie again, Berg's Wozzeck, Neue Sachlichkeit, Zeitoper, Gebrauchsmusik (Hindemith, Krenek, Weill), Korngold, Rachmaninoff and a new Stile Antico The cult of the commonplace. Satie, the French "Six" and surrealism, Thompson and the "Lost Generation" In search of the "Real" America. European "Jazz", Gershwin, Copland, the American "Symphonists" In search of Utopia. Schoenberg, Webern and Twelve-tone technique Music and totalitarian society. Casella and Respighi (Fascist Italy), Orff, Hindemith, Hartmann (Nazi Germany), Prokofieff and Shostakovich (Soviet Russia)
Mediengruppe: Buch