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Music in the late twentieth century

Verfasser*in: Suche nach Verfasser*in Taruskin, Richard
Verfasser*innenangabe: Richard Taruskin
Jahr: 2010
Verlag: Oxford ; New York, Oxford Univ. Press
Mediengruppe: Buch
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Inhalt

Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

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Verfasser*in: Suche nach Verfasser*in Taruskin, Richard
Verfasser*innenangabe: Richard Taruskin
Jahr: 2010
Verlag: Oxford ; New York, Oxford Univ. Press
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Systematik: Suche nach dieser Systematik KM.MM47, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache], Sammlung Duffek
ISBN: 0-19-538485-7
Beschreibung: 586 S. : Ill.
Schlagwörter: 20. Jahrhundert, Geschichte, Musik, Landesgeschichte, Ortsgeschichte, Regionalgeschichte, Zeitgeschichte
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Fußnote: Music in the aftermath of world war II. Zhadanovshchina, Darmstadt Cage and the "New York School" Babbitt and cold war serialism Music and electronic media. Varèse's career Music in society: Britten Music in history: Carter Changing patterns of consumption and the challenve of pop Minimalism: Young, Riley, Reich, Glass. Their European emulators Postmodernism: Rochberg, Crumb, Lerdahl, Schnittke The advent of postliteracy: Partch, Monk, Anderson, Zorn. New patterns of patronage
Mediengruppe: Buch