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La Guitarra dels Lleons

[Gitarren aus der Sammlung des Museu de la Música, Barcelona]
Verfasser*in: Suche nach Verfasser*in Albéniz, Isaac; Sanz, Gaspar; Sor, Fernando
Verfasser*innenangabe: Isaac Albéniz, Gaspar Sanz, Fernando Sor, Francisco Guerau, Santiago de Murcia ; Xavier Díaz-Latorre [Gitarre], Pedro Estevan [Perkussion]
Jahr: 2014 (2011-2013)
Verlag: Cantus Records
Mediengruppe: Compact Disc
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Exemplare

AktionZweigstelleStandorteStatusFristVorbestellungen
Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: CD.01A Díaz-L (Gitarre) / College 5a - Szene Status: Verfügbar Frist: Vorbestellungen: 0

Inhalt

Isaac Albéniz:
1. Preludio: Asturias (Leyenda);
2. Cádiz;
Gaspar Sanz:
3. Xácaras;
4. Canario;
5. Passeos por el cuarto tono y una giga por el mismo punto;
La Tarantella & Improvisación;
Fernando Sor:
7. Variations on a theme of The Magic Flute, London 1821;
8. Introduction et Variations sur l'air: Malbrough, op. 28, Paris 1827;
Santiago de Murcia:
9. Zarambeque;
10. Cumbées;
Francisco Guerau:
11. Diez y ocho diferencias de Mariona.
 

Details

Verfasser*in: Suche nach Verfasser*in Albéniz, Isaac; Sanz, Gaspar; Sor, Fernando
Verfasser*innenangabe: Isaac Albéniz, Gaspar Sanz, Fernando Sor, Francisco Guerau, Santiago de Murcia ; Xavier Díaz-Latorre [Gitarre], Pedro Estevan [Perkussion]
Jahr: 2014 (2011-2013)
Verlag: Cantus Records
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Systematik: Suche nach dieser Systematik CD.01A
Suche nach diesem Interessenskreis
Beschreibung: 1 CD + fixiertes Beiheft
Schlagwörter: CD, Gitarre, Präludium, Tarantella, Variation, Abwandlung, Akustische Gitarre, CDs, Guitarre, Klassische Gitarre (Quasisynonym), Praeambel (Musik), Praeambulum, Preludio, Präambel (Musik), Präambulum, Präludien, Prélude, Variierung
Beteiligte Personen: Suche nach dieser Beteiligten Person Díaz-Latorre, Xavier; Estevan, Pedro
Fußnote: Interpreten: Xavier Díaz-Latorre [histor. Gitarren], Pedro Estevan [Perkussion]. - Bestellnummer: Cantus C 9623. - Anmerkung: One of the key moments in the history of this fascinating CD happened in 2010 when the Chief Curator of the Music Museum of Barcelona called on Xavier Díaz-Latorre to make a choice from among ten instruments that he had previously selected. Those chosen would be restored and then used in our recording. It was an impressive selection of 16th to 19th century guitars that had not been played in modern times, all of them in very good conditions, and every and all of them with interesting features that made them worth to be selected. After a long process involving the selection and restoration of the instruments, the choice of a repertoire, the study of the guitars, the recording and production of the CD, the task entrusted to him by the Museu de la Música de Barcelona has been, in Xavier Díaz-Latorre’s own words, “one of the most fascinating experiences in my entire musical career”. What is offered here is not merely an example of the technical and musical possibilities of the instruments selected, but above all an amazing promenade through a music designed for a type of instruments that covered the aesthetic needs of their time, not ours. To get from them their full potential and maximize their marvelous features, making justice to them and to the music recorded here, one needs to approach them with curiosity and humility, accepting that in terms of interpretation they can teach us important things, and allow us to explore aesthetics and sounds absolutely different to what today conforms our musical world and the way we perceive it. It can be said that these instruments “confessed” Xavier Diaz-Latorre how he had to perform them, opening his senses to a musical world which was vibrantly different and exciting: delicate sonorities, nuanced colors, rediscovered thanks to the painstaking restoration done by the Museum team, and the use of gut ...
Mediengruppe: Compact Disc