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What to listen for in music

Verfasser*in: Suche nach Verfasser*in Copland, Aaron
Verfasser*innenangabe: Aaron Copland
Jahr: 2011 (1939)
Verlag: New York, Signet
Mediengruppe: Buch
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AktionZweigstelleStandorteStatusFristVorbestellungen
Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.MB Copl / College 5b - Musik Status: Verfügbar Frist: Vorbestellungen: 0

Inhalt

With a foreword and epilogue by Alan Rich and an introduction by William Schuman and a new Appreciation by Leonard Slatkin.
 
 
 
Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.

Details

Verfasser*in: Suche nach Verfasser*in Copland, Aaron
Verfasser*innenangabe: Aaron Copland
Jahr: 2011 (1939)
Verlag: New York, Signet
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Systematik: Suche nach dieser Systematik KM.MB, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
Beschreibung: 266 S.
Suche nach dieser Beteiligten Person
Sprache: Englisch
Fußnote: Preliminaries How we listen THe creative process in music The four elements of music: Rhythm, Melody, Harmony, Tone Color Musical texture Musical structure Fundamental forms: Sectional form, Variation form, Fugal form, Sonata form, Free forms Opera and musical drama Contemporary music Film music From composer to interpreter to listener
Mediengruppe: Buch