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Music from the Hitchcock films

arranged for solo piano
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Jahr: 2014
Verlag: Wise
Mediengruppe: Noten
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AktionZweigstelleStandorteStatusFristVorbestellungen
Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.NC16 Hitc / College 5b - Musik Status: Verfügbar Frist: Vorbestellungen: 0

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Jahr: 2014
Verlag: Wise
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Systematik: Suche nach dieser Systematik KM.NC16
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ISBN: 978-1-78305-606-4
2. ISBN: 1-78305-606-1
Beschreibung: 95 S.; Noten f. Klavier
Schlagwörter: Filmmusik, Hitchcock, Alfred, Klavier solo, Notation
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Fußnote: Enth.: Alfred Hitchcock Presents Family Plot (End Titles) Marnie (Prelude) North By Northwest (Conversation Piece) North By Northwest (Prelude) Psycho (Prelude/The Murder/Finale) Rear Window (Lisa) Rope (Mouvement Perpetuel No.1) Spellbound (Main Title) The Man Who knew Too Much (Que Sera, Sera) The Man Who Knew Too Much (Storm Clouds Cantata) The Trouble With Harry (Overture/The Doctor) The Wrong Man (Prelude) Vertigo (Carlotta’s Portrait) Vertigo (Prelude) Vertigo (Scene D’amour) From the start, Hitchcock knew that music was an invaluable aid to any director of suspense movies who wanted to put his audience through the emotional wringer. From Arthur Benjamin’s pivotal cantata in the 1934 version of 'The Man Who Knew Too Much' to Bernard Herrmann’s jagged soundtrack for the landmark shocker 'Psycho', the music was usually a visceral part of any Hitchcock movie. By the time John Williams scored Hitchcock’s final film 'Family Plot' (1976), a whole generation of moviegoers would always remember their favourite Hitchcock film with, as it were, the soundtrack attached.
Mediengruppe: Noten