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Music from the Earliest Notations to the Sixteenth Century

Verfasser*in: Suche nach Verfasser*in Taruskin, Richard
Verfasser*innenangabe: Richard Taruskin
Jahr: 2010
Verlag: Oxford, Oxford University Press
Mediengruppe: Buch
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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music.
This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

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Verfasser*in: Suche nach Verfasser*in Taruskin, Richard
Verfasser*innenangabe: Richard Taruskin
Jahr: 2010
Verlag: Oxford, Oxford University Press
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Systematik: Suche nach dieser Systematik KM.MM3, KM.MM42, KM.MM43, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache], Sammlung Duffek
ISBN: 978-0-19-538481-9
2. ISBN: 0-19-538481-4
Beschreibung: 906 S. : Ill.
Schlagwörter: Geschichte, Mittelalter, Musik, Renaissance, Landesgeschichte, Ortsgeschichte, Regionalgeschichte, Zeitgeschichte
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Sprache: Englisch
Fußnote: "Gregorian" chant, the first literate repertory and how it got that way New Styles and Forms: Frankish additions to the original chant repertory Retheorizing music. New Frankish concepts of musical organization and their effect on composition Music of feudalism and fin' amors. The earliest literate secular repertoires: Aquitaine (Troubadours, Minstrels, High and low style...), France (Trouveères, Adam de la Halle...), Iberia, Italy, Germany - Cantigas, Laude and related genres, Minnesang, Meistersinger... Polyphony in practice and theory. Early polyphonic performance practices and the twelth-century blossoming of polyphonic composition Notre Dame de Paris. Parisian cathedral music in the twelfth and thirteen centuries and its makers Music for an intellectual and political elite. The thirteenth-century motet Business math, politics and paradise: The ars nova. Notational and stylistic change in fourtheenth-century France: Isorythmic motets from Machaut to Du Fay Machaut and his progeny. Machaut's songs and mass. Music at the papal court of Avignon. Ars Subtilior Music of the trrecento. Italian music of the fourteenth century Island and Mainland. Music in the British Isles through the early fifteenth century and its influence on the continent Embelms and dynasties. The cyclic mass ardinary setting Middle and low. The fifteenth-century motet and chanson. Early instrumental music. Music printing Josquin and the humanists. Josquin des Prez in fact and legend. Parody masses A perfected art. Seixteenth-century church music. New instrumental genres The end of perfection. Palestrina, Byrd and the final flowering of imitative polyphony Commercial and literary music. Vernacular song genres in Italy, Germany and France. Lasso's cosmopolitan career Reformations and counter-reformations. Music of the Lutheran church. Venetian cathedral music Pressure of radical humanism. The "Representational" style and the Basso continuo. Intermedii. Favole in musica
Mediengruppe: Buch