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Radio as Art

Concepts, Spaces, Practices
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Verfasser*innenangabe: Anne Thurmann-Jajes, Ursula Frohne, Jee-Hae Kim, Maria Peters, Franziska Rauh, Sarah Rothe, (Eds.)
Jahr: 2019
Verlag: Bielefeld, transcript Verl.
Mediengruppe: Buch
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Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.MG4 Radio / College 5b - Musik Status: Verfügbar Frist: Vorbestellungen: 0

Inhalt

Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Anne Thurmann-Jajes, Ursula Frohne, Jee-Hae Kim, Maria Peters, Franziska Rauh, Sarah Rothe, (Eds.)
Jahr: 2019
Verlag: Bielefeld, transcript Verl.
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Systematik: Suche nach dieser Systematik KM.MG4, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-3-8376-3617-8
2. ISBN: 3-8376-3617-8
Beschreibung: 304 Seiten : Illustrationen
Beteiligte Personen: Suche nach dieser Beteiligten Person Thurmann-Jajes, Anne; Frohne, Ursula; Rothe, Sarah
Sprache: Englisch
Fußnote: "I am an artist. I am not anything else."1: -Robert Adrian Smith, 1935-2015 The Reception of Electricity: Art as Radio in Literature, Painting, and Performance On Radioart I. Radio Space: The Museum as an Agent of Radio Art Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic II. Radio Art: Artistic Production and/or political practice: The Radio and/as Digital Productivism Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio Radio Art in the "¿ Everyday Hand-to-Hand Struggle with Apparatuses?" Radio as a "Minor" Art Practice III. Institutional Framing and Agency: Radio as a Research Medium for Artistic and Oral-History-Based Research Projects Community Radio as Post-Capitalist Art Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar Radio as Art? Heart or Gall Bladder? IV. Radio Art as Action: In Simulcast: Archigram and Radio Piracy in 1960s Britain The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA's Oedipus, Tyrant Doing Radio Art: Direct Media Association's Pacific Rim / Slow Scan Radio Prolife: Eavesdropping on Life V. Words - Sounds - Music: John Cage's Cinema for the Ear Peter Roehr's Sound Montages Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit Listen and Participate: The Work of the Hörspielmacher Paul Plamper Dead Spot in Art History
Mediengruppe: Buch