Zur Trefferliste
Cover von The Cambridge Companion to the Musical wird in neuem Tab geöffnet

The Cambridge Companion to the Musical

Suche nach Verfasser*in
Verfasser*innenangabe: Ed. by William A. Everett and Paul R. Laird
Jahr: 2008
Verlag: Cambridge [u.a.], Cambridge Univ. Pr.
Mediengruppe: Buch
verfügbar

Exemplare

AktionZweigstelleStandorteStatusFristVorbestellungen
Vorbestellen Zweigstelle: 07., Urban-Loritz-Pl. 2a Standorte: KM.MN41 Camb / College 5b - Musik Status: Verfügbar Frist: Vorbestellungen: 0

Details

Suche nach Verfasser*in
Verfasser*innenangabe: Ed. by William A. Everett and Paul R. Laird
Jahr: 2008
Verlag: Cambridge [u.a.], Cambridge Univ. Pr.
opens in new tab
Systematik: Suche nach dieser Systematik KM.MN41, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-0-521-68084-4
2. ISBN: 0-521-68084-0
Beschreibung: 2nd ed., 412 S.
Beteiligte Personen: Suche nach dieser Beteiligten Person Everett, William A.; Laird, Paul R.
Sprache: Englisch
Fußnote: Adaptations and transformations before 1940 American musical theatre before the 20th century Non-English-language musical theatre in the United States Biirth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900-1920 American and British operetta in the 1920s: romance, nostalgia and adventure Images of African AMericans: African-American msuical theatre, Show Boat and Porgy and Bess The melody (and the words) linger on: American musical comedies of the 1920s and 1930s Maturations and formulations 1940-1970 "We said we wouldn't look back': British musical theatre 1935-1960 The coming of the musical play: Rodgers and Hammerstein The successors of Rodgers and Hammerstein from the 1940s to the 1960s Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein Evolutions and integrations after 1970 Stephen Sondheim and the musical of the outsider Choreographers, directors and the fully integrated musical From Hair to Rent - is "rock" a four-letter word on Broadway? The megamusical: the creation, internationalisation and impact of a genre "Something borrowed, something blue": the marriage of the musical and Europe New horizons: the musical of dawn of the 21st century Legacies and transformation Why do they start to sing and dance all of a sudden? Examining the film musical Revisiting classic musicals: revivals, films, television and recordings The creation of a Broadway msuical: Stephen Schwartz, Winnie Holzman and Wicked
Mediengruppe: Buch