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Film Music

Verfasser*in: Suche nach Verfasser*in Larsen, Peter
Verfasser*innenangabe: Peter Larsen
Jahr: 2007
Verlag: London, Reaktion
Mediengruppe: Buch
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Inhalt

Just hearing a few notes from certain songs can bring a movie back to life—whether the Doors’ “The End” from Apocalypse Now, Simon and Garfunkel’s “Mrs. Robinson” in The Graduate, or John Williams’ scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music—where does the film begin and the music end?Taking off from a variation of that question—whether music accompanies a film or a film illustrates the music—Peter Larsen probes the complex relationship between the two. He charts the history of music in film, exploring along the way the role that music plays in the narrative and psychological functions of film. Examining such classics and blockbusters as The Big Sleep, American Graffiti, North by Northwest, and Blade Runner, Larsen uses these case studies to demonstrate how scores and soundtracks can expose unexpected new facets of a film.A wholly accessible examination, Film Music will be an essential read for music scholars and film buffs alike.

Details

Verfasser*in: Suche nach Verfasser*in Larsen, Peter
Verfasser*innenangabe: Peter Larsen
Jahr: 2007
Verlag: London, Reaktion
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Systematik: Suche nach dieser Systematik KM.MG4, KT.F, FS.E
Interessenkreis: Suche nach diesem Interessenskreis Englisch [Sprache]
ISBN: 978-1-86189-341-3
2. ISBN: 1-86189-341-8
Beschreibung: 254 Seiten ; Illustrationen
Schlagwörter: Filmmusik
Suche nach dieser Beteiligten Person
Sprache: Englisch
Fußnote: Silent films, talking musicAnalysing film musicBack to the future: Metropolis, 1927Musical meaningsEnter the sound filmFilm music from the Golden Age: The bid sleep, 1946Other ways: Noth by northwest, 1959Striking a new note: Film music after the golden ageNecessity ot possibility? The psychology of film musikMusical functions
Mediengruppe: Buch